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"textoCompleto" => "<span class="elsevierStyleSections"><span id="sec0005" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0035">Introduction</span><p id="par0005" class="elsevierStylePara elsevierViewall">Health is a condition in which a person can develop physically, mentally, spiritually, and socially so that she realizes her abilities, she can handle pressure, she can work productively, and she can contribute to her community. A person's body is said to be truly healthy if she takes care of her physical and mental health at the same time because both are interconnected. Poor physical health can increase the risk of mental health problems. Otherwise, poor mental health can lead to the deterioration of our physical health.</p><p id="par0010" class="elsevierStylePara elsevierViewall">Women tend to experience physical and mental health problems. The mental health problems experienced by women can be caused by the influence of the environment around them and the lack of gratitude and feelings of happiness felt by women. This triggers women to experience emotional disturbances, which results in their physical health and decreases their quality of life. Improving the quality of life of women to improve the physical and mental condition of women in fulfilling their rights and necessities of life.<a class="elsevierStyleCrossRefs" href="#bib0050"><span class="elsevierStyleSup">1,2</span></a></p><p id="par0015" class="elsevierStylePara elsevierViewall">In fulfilling the rights and needs of women, especially the Toba Batak women have the right to have a good social status in their community. One of the social statuses they hope for is to be married and have a happy family. In the Toba Batak custom, the union of two community members through marriage cannot be separated from the interests of the community group concerned. Marriage for the Toba Batak community is an institution that does not only bind a man and a woman but also binds the entire extended family, namely <span class="elsevierStyleItalic">paranak</span> ‘the family of male party’ and <span class="elsevierStyleItalic">parboru</span> ‘the family of the female party’.</p><p id="par0020" class="elsevierStylePara elsevierViewall">Performances in the traditional wedding ceremony of the Toba Batak community, first held a <span class="elsevierStyleItalic">pamasumasuon</span> (blessing) a religious ceremony, after which it is continued with the Toba Batak traditional ceremony.<a class="elsevierStyleCrossRef" href="#bib0060"><span class="elsevierStyleSup">3</span></a> In this traditional ceremony, there is a <span class="elsevierStyleItalic">marpaniaran</span> event staging in front of all family members including the <span class="elsevierStyleItalic">hulahula</span> ‘giver wife’, and <span class="elsevierStyleItalic">dongan sahuta</span> ‘village friend’. <span class="elsevierStyleItalic">Marpaniaran</span> is one of the cultural performances or cultural traditions of the Toba Batak community.<a class="elsevierStyleCrossRefs" href="#bib0065"><span class="elsevierStyleSup">4,5</span></a></p><p id="par0025" class="elsevierStylePara elsevierViewall">Based on the description above, this research is intended to illustrate and describe what the benefits of <span class="elsevierStyleItalic">marpaniaran</span> ‘traditional dance of Toba Batak women’ for the physical and mental health of Toba Batak women, and the meaning and function of <span class="elsevierStyleItalic">marpaniaran</span> in the traditional Toba Batak wedding ceremony.</p></span><span id="sec0010" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0040">Method</span><p id="par0030" class="elsevierStylePara elsevierViewall">This research conducted using a qualitative paradigm with the ethnographic model developed by Spreadley by applying twelve steps to both interview and observation methods. Data collection in this study applied the interview and observation methods as shown by the qualitative paradigm with the ethnographic model. The method of observation was carried out by direct and participatory observation.<a class="elsevierStyleCrossRef" href="#bib0075"><span class="elsevierStyleSup">6</span></a></p><p id="par0035" class="elsevierStylePara elsevierViewall">The technique of collecting interview data was done by using ethnographic notes, descriptive questions, structural questions, and contrast questions, while the observation data collection was done by using descriptive observation techniques, focused observation, and selected observations. Analysis of data collected from interviews carried out using ethnographic interview analysis techniques, domain analysis, taxonomic analysis, and component analysis, while data analysis collected from direct, participatory observation was also carried out using domain analysis techniques, taxonomic analysis, and component analysis.<a class="elsevierStyleCrossRef" href="#bib0080"><span class="elsevierStyleSup">7</span></a></p><p id="par0040" class="elsevierStylePara elsevierViewall">The data collected by interview and observation were then analyzed by the four kinds of analysis. Continued data analysis was the discovery of cultural themes (discovering and taking cultural themes) as a result of interpretation to conclude the benefits of <span class="elsevierStyleItalic">marpaniaran</span> ‘traditional dance of Toba Batak women’ for the physical and mental health of Batak Toba women, and what the meaning and function of <span class="elsevierStyleItalic">marpaniaran</span> in traditional ceremonies Toba Batak marriage. The approach used in this research is anthropolinguistic studies.<a class="elsevierStyleCrossRefs" href="#bib0070"><span class="elsevierStyleSup">5,8</span></a></p></span><span id="sec0015" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0045">Result</span><span id="sec0020" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0050">The benefits of <span class="elsevierStyleItalic">Marpaniaran</span> ‘traditional dance of women’ for the women's physical and mental health</span><p id="par0045" class="elsevierStylePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> describes denotatively the dance of the wives together with the bride which is carried out at the Toba Batak wedding ceremony. Its function is to find out and identify whether the wives and prospective bride are physically and mentally healthy by paying attention to their traditional dance performance in front of the <span class="elsevierStyleItalic">hulahula</span> ‘wife-giver’, <span class="elsevierStyleItalic">dongan</span><span class="elsevierStyleItalic">tubu</span> ‘the same surname party’, and <span class="elsevierStyleItalic">boru</span> ‘wife-receiver party’.<a class="elsevierStyleCrossRefs" href="#bib0060"><span class="elsevierStyleSup">3,9</span></a></p><p id="par0050" class="elsevierStylePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> is usually performed during traditional marriage ceremonies so that it requires that the wives and prospective brides be strong and physically and mentally healthy. If women can stand dancing for a long time, they consider physically fit.<a class="elsevierStyleCrossRef" href="#bib0090"><span class="elsevierStyleSup">9</span></a> This dance requires not only a physically fit woman but also a mentally healthy woman. She must feel happy and full of gratitude because she is facing the wedding party so that she can dance well and beautifully.</p><p id="par0055" class="elsevierStylePara elsevierViewall">The traditional dance of <span class="elsevierStyleItalic">marpaniaran</span> is performed in front of all family members. The bride will dance standing beside her mother-in-law and husband, while her husband will dance standing beside his father. The performance of dance begins with the entrance of the bride and groom into the building, and then all the customs of the Toba Batak community are carried out. It is called <span class="elsevierStyleItalic">adat na gok</span> (<a class="elsevierStyleCrossRef" href="#fig0005">Fig. 1</a>).</p><elsevierMultimedia ident="fig0005"></elsevierMultimedia><p id="par0060" class="elsevierStylePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> has good benefits for women's physical and mental health. The body movements performed between hands and feet require good physical health because they must be done well and for a long time at traditional wedding ceremonies. The benefits of traditional <span class="elsevierStyleItalic">marpaniaran</span> dance for women's physical health is the body movement make the body strong, balanced, and healthy. Besides, the feeling of pleasure, gratitude, and the well-being of women for what they receive will improve women's mental health. If a woman feels happy and physically and mentally healthy, she will dance well and beautifully in front of all family members.</p></span><span id="sec0025" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0055">The meanings and functions of <span class="elsevierStyleItalic">Marpaniaran</span> at the Toba Batak traditional wedding ceremony</span><p id="par0065" class="elsevierStylePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> in a wedding ceremony is a traditional Batak Toba dance which has its specialties, apart from having the uniqueness of conveying meaning in dance. It is also the process of giving and receiving customs in the kinship system of <span class="elsevierStyleItalic">Dalihan natolu</span> ‘the philosophy of the Toba Batak people’ (<a class="elsevierStyleCrossRef" href="#tbl0005">Table 1</a>).</p><elsevierMultimedia ident="tbl0005"></elsevierMultimedia></span></span><span id="sec0030" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0060">Discussion</span><p id="par0070" class="elsevierStylePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> is a dance found in the life of the Toba Batak community that has an important role in their life activities. It relates to their spiritual life and the social relations of their community. It is a dance that moves the whole body to the acclaimed rhythm of <span class="elsevierStyleItalic">gondang</span> ‘traditional Toba Batak music’, with the center of movement on the hands and fingers, feet, and soles of the feet, back and shoulders. The body movement in this dance is very important. The movements are adjusted to the dancer's position in the <span class="elsevierStyleItalic">Dalihan Na Tolu</span> kinship concept ‘the Batak Toba philosophy’. The philosophy of <span class="elsevierStyleItalic">dalihan na tolu</span> is a family system that regulates Batak tribe among one another. Every Batak person will enter this element.</p><p id="par0075" class="elsevierStylePara elsevierViewall">This movement requires the physical health of women to be able to dance well and beautifully. She must be able to dance for a long time, and move all of her limbs well, and balance to the beat of the music of <span class="elsevierStyleItalic">gondang</span> ‘traditional music of Toba Batak’. If the bride can dance for a long time and well and she can follow the rhythm of the <span class="elsevierStyleItalic">gondang</span>, she is considered a physically healthy woman. If the bride has physically healthy, the Toba Batak people believe that she will be able to be a good wife for her husband and a good mother for her children because she will be able to take good care of her family. Besides, the traditional <span class="elsevierStyleItalic">marpaniran</span> dance has several functions for the Toba Batak community in the Toba Batak wedding ceremony. There are several functions of the traditional <span class="elsevierStyleItalic">marpaniaran</span> dance, namely (1) as a ritual of worshiping God and the <span class="elsevierStyleItalic">hulahula</span> ‘wife-giver’, (2) asking for the blessing of God, and the <span class="elsevierStyleItalic">hulahula</span>, and (3) encouraging the soul of the bride in running the household.</p><p id="par0080" class="elsevierStylePara elsevierViewall">The first function of the <span class="elsevierStyleItalic">marpaniaran</span> ‘traditional dance of women’ is ritual worship of God and <span class="elsevierStyleItalic">hulahula</span> ‘wife-giver’. This dance has a ritual process, which is a ritual of worshiping obedience to God Almighty which is shown through offerings of the traditional music to God before the dance begins. Then, this dance is continued with ritual worship for the ancestors and people who are respected.</p><p id="par0085" class="elsevierStylePara elsevierViewall">The second is a ritual asks for the blessings from God and <span class="elsevierStyleItalic">hulahula</span> ‘wive-giver’. The prayers of blessings are requested so that the customary ceremony runs smoothly, and well. There are no obstacles in the process of performing the customary wedding ceremony. For the Toba Batak community, the prayers of blessings are not only asked from God but also from <span class="elsevierStyleItalic">hulahula</span> as the giver of the wife from the bride's family. They believe that <span class="elsevierStyleItalic">hulahula</span> is considered a manifestation of God and has a respected position. So, they are considered important to be respected and asked for blessings from <span class="elsevierStyleItalic">hulahula</span>.</p><p id="par0090" class="elsevierStylePara elsevierViewall">The third is to encourage the soul of the bride in running the household. The bride must be given encouragement and prayer so that she feels happy, excited, and full of gratitude for her marriage. If the bride feels happy and grateful for her marriage, she will be mentally healthy. If the bride is mentally healthy, her emotional health will not be disturbed because of the happy feelings women feel in running her household. The mental health that the bride feels will trigger her physical health. Poor mental health will lead to a decline in women's physical health. If the bride lacks gratitude and feelings of unhappiness experienced, it will cause emotional disturbance to her. It can cause mental illness and affect her physical health.</p><p id="par0095" class="elsevierStylePara elsevierViewall">Therefore, the bride must feel happy in undergoing her marriage and must be full of gratitude for her wedding so that she is physically and mentally healthy. Physical and mental health are interrelated. Poor physical health will affect mental health. Otherwise, poor mental health will affect physical health. For this reason, the brides and other Toba Batak women require to have physical and mental health.</p></span><span id="sec0035" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0065">Conclusion</span><p id="par0100" class="elsevierStylePara elsevierViewall">In traditional dance, <span class="elsevierStyleItalic">marpaniaran</span> needs women who are physically and mentally healthy. Good, strong, and long body movements require good physical health from women. Meanwhile, the feeling of prosperity in the traditional <span class="elsevierStyleItalic">marpaniaran</span> dance will make Toba Batak women mentally healthy and strong. The physical and mental health of Toba Batak women is greatly improved in performing the ritual traditional <span class="elsevierStyleItalic">marpaniran</span> dance.</p></span><span id="sec0040" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0070">Conflict of interest</span><p id="par0105" class="elsevierStylePara elsevierViewall">The authors declare no conflict of interest.</p></span></span>"
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"resumen" => "<span id="abst0005" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0010">Objectives</span><p id="spar0005" class="elsevierStyleSimplePara elsevierViewall">The purpose of this paper is to describe (1) the benefits of <span class="elsevierStyleItalic">marpaniaran</span> ‘traditional dance of women’ for the women's physical and mental health, (2) the meanings and functions of <span class="elsevierStyleItalic">marpaniaran</span> at the Toba Batak traditional wedding ceremony.</p></span> <span id="abst0010" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0015">Methods</span><p id="spar0010" class="elsevierStyleSimplePara elsevierViewall">This study observed by using an anthropolinguistic approach with the analytic parameters is interconnection, valuability, and sustainability. The qualitative paradigm with the ethnography model used in this study.</p></span> <span id="abst0015" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0020">Results</span><p id="spar0015" class="elsevierStyleSimplePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> has good benefits for women's physical and mental health. The movement performed between hands and feet require good physical health because dancing must be done well and long at the wedding ceremony. Feelings of pleasure, gratitude, and welfare of women for what they receive will increase the mental health of women. There are several meanings and functions of <span class="elsevierStyleItalic">marpaniaran</span>, namely as a ritual worship of God and <span class="elsevierStyleItalic">hulahula</span> ‘wive giver’, asking for blessings from God and <span class="elsevierStyleItalic">hulahula</span>, and encouraging the soul of the bride in running household.</p></span> <span id="abst0020" class="elsevierStyleSection elsevierViewall"><span class="elsevierStyleSectionTitle" id="sect0025">Conclusion</span><p id="spar0020" class="elsevierStyleSimplePara elsevierViewall"><span class="elsevierStyleItalic">Marpaniaran</span> is required a strong women's physical and mental health very much. The body movements and feelings of welfare of women in <span class="elsevierStyleItalic">marpaniaran</span> make the Toba Batak women physically and mentally healthy and strong.</p></span>"
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<table border="0" frame="\n
\t\t\t\t\tvoid\n
\t\t\t\t" class=""><thead title="thead"><tr title="table-row"><th class="td" title="\n
\t\t\t\t\ttable-head\n
\t\t\t\t " align="left" valign="\n
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\t\t\t\t" scope="col" style="border-bottom: 2px solid black">No. \t\t\t\t\t\t\n
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\t\t\t\t" scope="col" style="border-bottom: 2px solid black">The meanings of <span class="elsevierStyleItalic">Marpaniaran</span> for the Toba Batak community \t\t\t\t\t\t\n
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\t\t\t\t" scope="col" style="border-bottom: 2px solid black">The functions of <span class="elsevierStyleItalic">Marpaniaran</span> for the Toba Batak community \t\t\t\t\t\t\n
\t\t\t\t\t\t</th></tr></thead><tbody title="tbody"><tr title="table-row"><td class="td-with-role" title="\n
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\t\t\t\t">1 \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
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\t\t\t\t"><span class="elsevierStyleItalic">Marpaniaran</span> is a dance found in the life of the Toba Batak community that has an important role in their life activities. It relates to their spiritual life and the social relations of their community. \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
\t\t\t\t\ttable-entry\n
\t\t\t\t " align="left" valign="\n
\t\t\t\t\ttop\n
\t\t\t\t">The ritual of worshiping God and the <span class="elsevierStyleItalic">hulahula</span> ‘wife-giver’ \t\t\t\t\t\t\n
\t\t\t\t</td></tr><tr title="table-row"><td class="td-with-role" title="\n
\t\t\t\t\ttable-entry\n
\t\t\t\t ; entry_with_role_rowhead " align="left" valign="\n
\t\t\t\t\ttop\n
\t\t\t\t">2 \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
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\t\t\t\t">The body movement in the <span class="elsevierStyleItalic">marpaniaran</span> is important. The body movements in this dance are adjusted to the dancer's position in the <span class="elsevierStyleItalic">Dalihan Na Tolu</span> kinship system. \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
\t\t\t\t\ttable-entry\n
\t\t\t\t " align="left" valign="\n
\t\t\t\t\ttop\n
\t\t\t\t">Asking for God's blessing \t\t\t\t\t\t\n
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\t\t\t\t\ttable-entry\n
\t\t\t\t ; entry_with_role_rowhead " align="left" valign="\n
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\t\t\t\t">3 \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
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\t\t\t\t">Physically, <span class="elsevierStyleItalic">marpaniaran</span> is a dance, but its meaning is more than the movements show that <span class="elsevierStyleItalic">marpaniaran</span> is a medium of communication, because through the media of the movement presented there is an interaction between ceremony participants. \t\t\t\t\t\t\n
\t\t\t\t</td><td class="td" title="\n
\t\t\t\t\ttable-entry\n
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\t\t\t\t">Encouraging the soul of the bride in running the household \t\t\t\t\t\t\n
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"texto" => "<p id="par0110" class="elsevierStylePara elsevierViewall">This article was supported financially by the <span class="elsevierStyleGrantSponsor" id="gs1">Doctoral Dissertation Research</span> and <span class="elsevierStyleGrantSponsor" id="gs2">Universitas Sumatera Utara Research Center</span> which provided a grant for this research. I would like to say thank you. I also want to thank my promoter who have guided me through the completion of this journal.</p>"
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